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THE GUESTLIST NETWORK | APRIL 2010

7

Rob da Bank Q&A

Sukhi Bansal

Bestival started only six years ago in 2004 and had just 10,000 guests. Last year the figure had since increased to 43,000. We had a chat with the man-who-can, a legend who is proudly putting the UK on the map for one of the Best Festivals in the world.

First things first - where did your name come from?

Ha ha, I got asked that yesterday and I didn’t have a hilarious answer. Ha. Literally sort of 15 years ago when I started Djin someone said to me and sort of said you need a DJ name, he was a bit mad and he said called yourself Rob Da Bank and it just kind of stuck. So, yeah, no kind of bank robbery story. There’s a receptionist at Radio 1 asks me every day it’s getting slightly boring now. Haha.

A big project on the cards for you is being a judge for the Tri- dent Perpetual Festival - what is the idea behind this?

Well obviously festivals are like two a penny at the moment and people love going to festivals. The idea is to get someone to go globe trotting around the world, go to all these amazing places and report back really.

Gonna grill em and give them a hard and see if they’re made of the right stuff.

Do you think you could survive it?

No, ha ha. At the ripe old age that I’m at and with my third kid on the

“I think I’d like to sit up all night with Prince, and talk music and life. I mean not in a romantic sense, I’m mar- ried with kids.”

way. I was thinking about it this morning I find it difficult to get to one or two new ones a year, so I’m quite jealous really of who ever gets it. Yeah lat year I managed to get to the Exit Festival which I’ve never been to, and this year I’m going to the Garden Festival. I try and give myself one new one to aim for outside of the UK. Yeah, it’s a cracking job whoever gets it.

Have you tried and tested all the festivals in the UK then?

No not at all. I mean there are 420/450 music festivals in the UK so its a big job, I’m sure someone could do it! I mean I’ve obviously been to all the major ones a few times. Things like End of the Road, these are things that I like talk to the promoter every other week but i can’t get to because it’s Bestival or something like that. It’s kind of tricky, but it would take up your whole summer if you where to do it.

One of the questions for the Tri-

dent Perpetual Festival is Who would you most like to share a tent with at a festival? What’s your an- swer?

I saw that Lenny had beaten me in the poll I think. It asked if you’d rather share a tent with Lenny from Motorhead or me and he beat me. I think I’d like to sit up all night with Prince, and talk music and life. I mean not in a romantic sense, I’m married with kids. But Prince is like my ultimate hero, so yeah probably him. He’d fit quite easily into a tent aswell cus he’s quite small. Ha ha.

What new talent should we look out for this year?

Gordan Benett! There’s so many, there’s me and my chums at Radio 1. There’s producers like Break- age and in the Dubstep world and Short Stuff he’s really good. I mean there’s loads of really new bands out. Obviously we all know

about like Delphic, Ellie Goulding. People like the Middle East.

What is Sunday Best?

It’s kind of like a whole plethora of things from the club that I started that we still do occasional par- ties with which essential turned into Bestival. Thats the party side of things, then there’s the label: Sunday Best Recordings. There’s T-Shirts and clothing stuff. It’s like a mini empire. of everything really. it’s an ethos really as well. I mean here’s alot of people they buy the records they come to the festival and they come to the parties, it’s not a way of life, but a way of hav- ing fun I suppose.

What advice would you give to anybody who is looking to be- coming a DJ?

Just the things that everyone says, the formula. Do something differ-

ent, you know from other people. You know, if you love Jay-Z or The Strokes or Florence and the Ma- chine, who ever it is you love, you want to sing like them or produce like them, like Skream or Benga or whatever then do it but think ‘am I just copying this person or am I adding something fresh.’

All the things that are coming through at the moment, all the ex- citing things are pretty different. If you look at someone like Florence two years ago you wouldn’t of been able to know she’d win best album. There’s a gamble. Unusual things are doing well at the mo- ment. Anyones got a chance. You could make an album on a £50 key board and it could go to number one. There’s no rules any more.

What differentiates Bestival from other festivals?

It’s mainly the crowd really, the

people that come down. That’s what I’m most proud of, the people that turn up and make it a crazy ec- centric off the wall place. Proper party people, and it’s not just pure hedonism, it’s a lot of creative stuff that happens down there. Yeah we have a great line up and amazing stuff going on onsite but we rely on the people turning up to make it happen. We’ve got one of the best crowds ou there i reckon. It’s as much about making friends and having a luagh as it is about seeing the bands or whatever.

Is it the highlight of your year?

I wouldn’t say that. Haha. Bits of it are. But when you kinda of work on something it’s difficult to you know relax. You can’t properly en- joy it unless it’s relaxing. I always look back on it and think yeah that was brilliant or no that wasn’t so great or this or that.

I think the highlight of my year is doing things like going to Glasto- bury, yeah going to other peoples festivals. Haha Don’t get me wrong it’s the best job in the world, just not for the weekend. Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40
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