Norway to shoot it. I could perhaps go against the ‘hot, hot, hot’ grain and create something ethereal and beautiful with some great furs and warm textures? I have pretty simple preferences when shooting so I don’t think unlimited budget would radically alter my thinking, to be honest.
LB:What’s themost important thing you have learnt so far about photography?
IH: Be open-minded. Experiment. I don’t want to limit my potential by defining myself too quickly. Nothing ever works out exactly the way you think it will.
LB: Have you sold any work yet or had anything published?
IH: I’ve just shot some fashion editorials including a couple with really fresh styling and a great ethical concept. Additionally, some high fashion shots that soon will hit the page. Mymain clients are independent clothing and jewellery designers – plus artists that require a more collaborative approach. I’ve also produced some advertisingwork for Professor David Crow; albumwork for the singer Mrs Loud ; the MMU Graduate Fashion Catalogue, plus my work has been showcased in an individual exhibition.
LB:What are your plans when you finish studying?
IH: Right now that’s a terrifying question. I’m trying to find suitable studio space for life after university as I am really going to miss their studio facilities. I don’t want to ring-fence any particular genre. I want to stay open-minded. I want to expand rapidly and exploit all opportunities. I have recently worked the lighting on the set of amusic video andwill be shooting backstage for a well-known menswear designer at London Fashion Week – so who knows where I’m headed next? Magazines, I hope.
www.indiahobsonphotography.co.uk
www.bowens.co.uk 31
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