Gallery
Raw Cut TV’s third series of Police Interceptors, shot on EX1s hired from CVP-Mitcorp, airs on Five in
early 2010. Says Raw Cut’s Steve Warr: “The best thing about the EX1 is we get big camera quality
for a small camera price. Also the SxS PRO memory cards mean it’s quick to handle late edits.”
Less and More: the Design Ethos of Dieter Rams for the Design Museum was shot by Forcefed
Media on an EX1 from Preston Media. Forcefed was able to turn it around quickly by getting runners
to offload and backup rushes ready for the next shoot, says director Rick Bronks
Delivering a 30-minute C4 show, VODcasts and daily news meant there was no time for tape on
Boomerang’s coverage of music and sports festival Roxy Jam. “We needed a fast, efficient way to get
media into our Avids,” recalls Dylan Wyn Davies. Step forward the EX3 hired from Visual Impact
12 theproducer Winter 2010
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